Although at first glance painting and digital image seem to belong to two antithetical dimensions, the first tied to the long timeframes of manual labor,...
The deceptive visual equivalence between a photographic image and the fragment of reality immortalized is founded on a series of reductions: the volume of objects...
What happens when drawing renounces fixing the static appearance of things to pursue the processual dimension of an action in progress? Drawing as practice of...
Yichun Yao’s artistic practise is exhibited until February 25, 2026 in the group show Rose Jail at Tache Gallery in London. Her work combines video art...
Ceramics as matter that preserves memory of gesture, as surface on which signs and time are stratified, as ambivalent form between the archaic and the...
The exhibition hall of KAPPA-NöUN welcomes the visitor with an installation that concentrates in a single sculptural gesture Giovanni Termini’s (Assoro, 1972; lives in Pesaro)...
The discovery of a nucleus of works created by Laura Grisi (1939, Rhodes – 2017, Rome) between 1961 and 1965 has provided the occasion to...
There exists a dimension of painting where time stratifies until it becomes matter, solidifying slowly into dense visions capable of condensing an entire interior universe...
The decoding mechanisms that activate as soon as our gaze falls upon an image function through perceptual automatisms sedimented over centuries of visual education: by...
«Artists are increasingly comparable to shamans, because shamans are individuals who seek to establish contacts with other worlds». Nicolas Bourriaud The relational dimension of art,...
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