In Hypersurface, an ambitious survey of the slippery ways of approaching the overlooked concept of surface, the ‘superficial’ gets dissected to offer a glimpse into...
God only knows if this city has trees, the Verdena sang in Caños. The green in Venice is there, but you can hardly see it,...
The Laboratory of Art and Form (L.O.A.F.) is a collective of curators of Contemporary Art based in Kyoto (286-13 Komeyacho Kamigyo-ku) and active in Japan...
“Is mankind destined to disappear?” this is the rather disturbing question that has been proposed as the basis for reflection for the 2019/2020 edition of...
China has recently made itself known for everything but its painters. Liu Ye’s exhibition (born in Beijing 1964), inaugurated on January 30, that is shortly...
Piero Gilardi was born in Turin, in 1942. In 1965 he first realized his famous and so called “Nature Carpets” (Tappeti natura) works made of...
For more than forty years Franco Vaccari (Modena, 1936) has been one of the pillars of the contemporary Italian artistic scenario, for his revolutionary approach...
In a historical moment where we talk about body shaming, xenofemism is theorized and the image of the self is continually questioned and violated through...
The artists are in quarantine, but the art is not. In this exceptional situation, there are those who take care of them too. On Instagram,...
Frankenstein, R. U. R. (Rossum’s Universal Robots) and Upgrade in Progress. What do Mary Shelley’s literary work, Karel Čapek’s drama and Geumhyung Jeong’s first solo...
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