The exhibition by Marta Roberti, curated by Cecilia Canziani, titled Due mondi – e io vengo dall’altro, running until April 30, 2025, at the z2o...
Does a perfect exhibition exist or has one ever existed? Even though we are used to evaluating exhibition projects that are unbalanced due to digressions,...
In the lecture on March 31, 1981, that Gilles Deleuze gave at the experimental university of Vincennes, reflecting on the value of catastrophe as the...
In 1912, Egon Schiele wrote on the side of a drawing the phrase «Art cannot be modern. Art returns to be eternally at the origin»;...
In support of the truth of artistic research, it is important to bear in mind the axiom that, although the artwork is a system of...
They speak, whisper and never shout, until they create a wild murmur immersed in clouds of damp vapor. These are anonymous identities of girls, women...
It might seem anachronistic, but in 1937, Paul Valéry had a premonition that in the near future, we would find ourselves living under a regime...
In a 1930 essay titled Avvertimenti, the art critic Massimo Bontempelli describes how a work can be generated in a ‘higher sphere’, where, by utilizing...
The decisive experience is always the one that resurfaces in memory even the next day. So, when one discovers clear artistic research, it is experienced...
If Sam Bornstein’s (b. 1983, New York) exhibition at Richter Fine Art Gallery in Rome had an alternative title to Cosmic joke, it would certainly...
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ASSOCIAZIONE JULIET – via Battisti 19/a – 34015 Muggia (TS)
Juliet art magazine è pubblicata a cura dell’Associazione Juliet - direttore responsabile Alessio Curto autorizzazione del Tribunale di Trieste, n. 581 del 5/12/1980, n. 212/2016 V.G. registro informatico C.F./P.IVA 00699740320 | c/c postale 12103347 | SWIFT UNCRIT M10MC | IBAN IT75C0200802242000005111867 | UNICREDIT Banca Trieste.