Can art recover from these dark times? The forced closure of museums and libraries, cinemas and theaters has caused the ingenuity of the institutions, which...
Here is the second episode of “Studio visit”, a column that was born at the time of the movement restrictions imposed by the Coronavirus, when...
This is a virtual review because the lock down also closed the Southbank Centre in London, but Among the Trees is present in the remote...
It is now one of the countless non-Sundays during coronavirus time, when B, fervent student who still savor the meaning of the word ‘idealism’, receives...
In Hypersurface, an ambitious survey of the slippery ways of approaching the overlooked concept of surface, the ‘superficial’ gets dissected to offer a glimpse into...
Contemporary art is undoubtedly democratic, because it is above all collective, as the public becomes part of the works and the beauty of everyday life...
When will this epidemic that forces us to a mandatory confinement end? At the moment, in Italy, although the epidemic has slightly exceeded the deaths...
Piero Gilardi was born in Turin, in 1942. In 1965 he first realized his famous and so called “Nature Carpets” (Tappeti natura) works made of...
With the works of private collectors it would be possible to make the best of contemporary art museums. This is especially true for our country,...
The artist Esther Kläs moves in the footsteps of the German artist Eva Hesse and, more generally, in the wake of the post-minimalism of the...
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